The Mild Ones
The Harley glides toward us
where we sit—
McDonald’s driveway. I don't
want to hit
The guy, but I can't really
tell if he
Is turning. Why no signal?
Mystery.
He's close enough that I can
see him well—
An “older” gentleman (not
hard to tell:
His frame is bent and
slender, and his face
Reveals his years.) Oh, it is
no disgrace
To carry all the history that
he does.
In fact, I somewhat
sympathize because
I bear a half a dozen
decades, too—
Okay, it's seven—more than just a few.
This Harley guy seems out of
place upon
His fine machine. No Marlon
Brando, he.
No wildness lingers near him.
Now I see
He does desire to turn, and as he leans
Into the thing, I see his
faded jeans,
His faded face, his jacket
scuffed with age—
Perhaps a wipeout now and
then? It's tough to gauge.
He gives us both a feeble
look as he
Slides past—a wrinkled face,
a white goatee.
And then he's in our mirror,
then he’s gone,
We turn out in the road—and
then drive on.
Oh, Time defeats us in our
weary wars,
Transforming us into a mouse
that roars.
Wrote her that she was
terrific,
But I wrote in hieroglyphic.
She replied, “Be more
specific.”
So I did—I’m so prolific.
Dumped me fast—oh, so
horrific!
Told me I was soporific—
So I cruised the vast
Pacific,
Not for reasons scientific,
Seeking life more beatific.
Shakespeare Couplet: Romeo
and Juliet
To Friar Lawrence hies our
Romeo.
He tells the Friar what he
needs to know. (2.3)